OBJECTIVE | The purpose of the 'The Underground Nature' project was to visually articulate the potential synergy between our natural environment and the possibilities offered by technological advancement and artificial intelligence.
MISSION | The mission aimed to shift the prevailing perception of AI from a negative force to one that uncovers its positive potential, envisioning an utopian natural landscape facilitated by its application. The exploration of our natural surroundings transcends conventional boundaries, extending even to an underground context, where an idealized subterranean natural environment comes to life.
DESCRIPTION | Subterraneously, the creation of conditions relies on technology, media art, and AI, utilizing a spectrum of materials ranging from natural elements like stones, specific plants, tree bark, and branches to artificial components such as green epoxy and recycled materials. The deliberate blend of these materials breathes life into the space.
The exhibition unfolds on a green epoxy floor, a pivotal design element resembling a water surface. The epoxy's transparency reveals natural elements beneath and emerging from the floor, symbolizing a genesis of landforms and providing an immersive introduction for viewers.
Vertical sculptural structures, mimicking trees and tree bark, integrate seamlessly into the environment. The tree canopy engages in a playful interplay with the lighting system and shadows, producing a 'Komorebi' effect. Specially selected plants, thriving under grow lights, including the Prayer Plant, Cast Iron Plant, and ZZ Plant, introduce nature underground. A smart-colored LED system supports these plants, and their reflections on the floor generate a perception of infinite dimensional space.
ATMOSPHERE | The ambiance is shaped by the interplay of lighting, reflections, textures, and sounds, culminating in a utopian and fantastical natural world. Beyond engaging the senses, this environment provides a secure space for contemplation and reflection.